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installazione di Irina Danilova, 59 (Brooklyn)
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Text by Emiliano D’Angelo Infallible prophet for some, for others “The rancorous Cassandra” and strategist of the auto-celebration, Guy Debord had certainly seen correct on a point: the definitive and painful separation between art and rea l life. The tendency of the art to ruinously degrade into a “show” among

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