Post Archive

marzo 2014

GREECEROMEtexts

CLASSICITA’ ED EUROPA Il destino della Grecia e dell’Italia Roma, Palazzo del Quirinale Testo di Vittoria Biasi Il Palazzo del Quirinale accoglie dal 29 marzo al 15 luglio 2014 la mostra “Classicità ed Europa. Il destino della Grecia e dell’Italia” per testimoniare il ruolo svolto dai due Paesi nel processo di trasformazione culturale promossa da

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JAPANROMEtexts

Concerto di Hirari Sato organizzato da: Yasuko Ishikawa, Presidente della Japan-Abruzzo Association Umberto Donati, Direttore della Fondazione Italia Giappone Venerdì 28 marzo 2014 Basilica Sant’Andrea della Valle Corso Vittorio Emanuele II – Roma Testo di Vittoria Biasi L’invito della Fondazione Italia – Giappone al concerto di Hirari Sato, bimba giapponese

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Art FairsPARIS

ART PARIS ART FAIR, MODERN + CONTEMPORARY ART+ DESIGN BUILDING ON THE SUCCESS OF THE 2013 EDITION, ART PARIS ART FAIR WILL BE HELD FROM 27TH TO 30TH MARCH AT THE GRAND PALAIS FOR THE 2014 EDITION WITH CHINA AS GUEST OF HONOUR http://artparis.fr/en/ Download: Art Fair Paris SECTEUR_GENERAL ART

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Art FairsPARIS

DRAWING NOW PARIS – the contemporary drawing art Fair in Paris – is the first contemporary fair exclusively dedicated to drawing. For its 8th edition, the Fair settles in the heart of Paris, from Wednesday, March 26th to Sunday, March 30th 2014; at the new Carreau du Temple and the

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EventsSYDNEY

19th BIENNALE OF SYDNEY 2014 www.biennaleofsydney.com.au BIENNALE OF SYDNEY MOVES TO NEW DATES: 21 MARCH – 9 JUNE 2014 Sydney, Australia: The Biennale of Sydney today announced the 2014 exhibition will open to the public from 21 March until 9 June 2014, with the Vernissage to be held from Tuesday,

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EventsPARIS

POST-OP. Perceptual Gone Painterly. 1958-2014 Curated by Matthieu Poirier Opening Reception Tomorrow, Saturday March 8 / 4 – 9pm Exhibition Dates: March 8 – April 19, 2014 Galerie Perrotin, Paris The title “Post-Op”, which stands for “postoperative” and “post-optical”, seeks to define a little known pictorial movement. Since its beginnings

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EventsNEW YORK

Revisiting Its Seminal 1966 Exhibition Primary Structures, The Jewish Museum Mounts Major Exhibition of International Sculpture from the 1960s Curated by Jens Hoffmann, Other Primary Structures Is Presented in Two Parts March 14 – May 18 & May 25 – August 3 New York, NY – Beginning in March, The

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EventsSOFIAVENICE

Corpo IN/Formazione 2013/14 at a distance of three years following the issue of international project Corpo Ex/Posto 2010/11 in collaboration between the National Academy of Art of Sofia and the Academy of Fine Arts of Venice. The public success of the first edition and the attention in the world of

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EventsNEW YORK

Major Exhibition of Global 1960s Sculpture Opens March 14 Revisiting Its Seminal 1966 Exhibition Primary Structures, The Jewish Museum Mounts Major Exhibition of International Sculpture from the 1960s Curated by Jens Hoffmann, Other Primary Structures Is Presented in Two Parts March 14 – May 18 & May 25 – August

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Another vacant spaceBERLINvideo film & live performances

James Edmonds 48 Fragments an interdisciplinary film screening curated by Adam Nankervis 2014 wedensday 12 march 2014 7pm mittwoch 12 märz 2014 19h another vacant space Biesentalerstraße 16  – 13359 Berlin https://www.facebook.com/pages/Another-Vacant-Space/207470732619864?fref=ts – one screening only – James Edmonds’ (1983, UK) work focuses on the poetic nature of recording and the

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EventsST. PETERBURG

Manifesta 10 will stay in St. Petersburg Release date: 11 March 2014 28 June / 31 October 2014 This statement is issued on behalf of the Manifesta 10 Foundation, St. Petersburg by Dr. Mikhail Piotrovsky, director of the State Hermitage Museum, Hedwig Fijen, director of Foundation Manifesta, and Kasper König,

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EventsPARIS

BEN LA THÉORIE DE L’EGO 1 er mars –  5 avril 2014 Vernissage: samedi 1er mars de midi à 20h30 Ben, représenté par la Galerie Daniel Templon depuis 1970, propose à l’Impasse Beaubourg une nouvelle exposition sur le thème de l’ego, qui réunit pièces historiques et travaux inédits récents. POURQUOI

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