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AZERBAIJANROMEStudio.ratexts

Where there is no atmosphere, sound and music cannot spread. So space is a realm of silence – complete silence. But even here, humans will not give up on their favorite method of universal communication: through music, we reveal our existence to anyone out there beyond planet Earth. On board

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Antonello Viola, vetro
ROMEtexts

Antonello Viola Aperto con fine a cura di Guglielmo Gigliotti con testi in catalogo di: Guglielmo Gigliotti e Claudia Ceri Via Inaugurazione: giovedì 11 aprile 2013, dopo le 6 di sera fino a: venerdì 19 luglio 2013 Luogo: galleria Il segno – Roma Testo di Guglielmo Gigliotti Raggiunta calma dei

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FABRIZIO CORNELI Open Secret, 2008 Bottle dimension cm20x25x35 frosted glass, brass, halogenlamp
ROMESEOULtexts

English National Museum of Contemporary Art, Korea and Vittoria Biasi present White & White Dialogue between Korea / Italy ROMA, Museo Carlo Bilotti – Aranciera di Villa Borghese Viale Fiorello La Guardia – 00197 Roma – Tel. 060608 – Email: info@museocarlobilotti.it – http://en.museocarlobilotti.it/ White&White nel dialogo tra Corea e Italia

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Apichatpong Weerasethakul Primitive, 2009. Photo: Chai Siri © Kick the Machine Films and Illuminations Films)
MILANtextsvideo film & live performances

Apichatpong Weerasethakul The Memory of Nabua A Note 011 tlle Primitive Projeet There’is a tempIe not far from my home named Sang Arun, meaning tbe Light of Dawn. As I write this text in Munich, I can imagine the trees, the wind, and the heat over there. Outside my hotel

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Le premier matin du monde, 2012 olio su tela cm 85 x100, Liliana Malta
ROMEtexts

Di Sarro’s Centre hosts the exhibition Dualism where the languages of abstraction face themselves with the fleetingness of the speeches. The artists Candida Ferrari and Liliana Malta witness the expressive identity, the power of artistic pathway towards different issues. Candida Ferrari is after the inner light of paintings ever since,

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NEW YORKtexts

There is an exciting and hidden part of Russian art (and Russian artists) that has not yet been discovered. In the same way, there is something latent and full of possibilities, that has not yet been unearthed of the Brooklyn art scene (or Brooklynite artists). That is what “Brural: A

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I MYSELF 2. Marisol Cavia
EventsSANTANDERtextsvideo film & live performances

EL CONCEPTO DE PASADO EN ESPACIOS SENSIBLES Encuentro de Poesía, Artes Plásticas y Arquitectura Texto escrito por María Jesús Cueto-Puente Espacios sensibles es un lugar de encuentro, que reúne una buena parte de los protagonistas más sobresalientes y emergentes de ámbitos diferenciados provenientes de la poesía, las artes plásticas y

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Quel che ho visto e udito, foto Caterina Duzzi
ROMEtextsTheatre & Dance

Quel che ho visto e udito: A tribute to Ingeborg Bachmann in Rome by Stefania Carpiceci The students of the Academy of Fine Arts of Rome presented, at the Casa dei Teatri, Quel che ho visto e udito, a theatrical tribute to Ingeborg Bachmann, the Austrian poet who died in

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Vincenzo Ceccato - c = dsl, 2012
BooksPARIStexts

A light in my book by Vittoria Biasi Gallery Vera Amsellem www.galerieveraamsellem.com 48 Rue du Roi de Sicile – 75004  Paris Book of Artist International Exhibition 13 december 2012 – 15 January 2013 Opening 13 December 2012  at 6:30 pm Artists: Sidival Fila, Silvia Stucky, Lea Contestabile, Adolfina De Stefani,

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9_Cardboard Butteflies in 1900 Iron press
EventsROMEtexts

Exhibition “VISIONS OF FLOWERS” – PARK OF APPIA ANTICA – ROME Sala Nagasawa October – December 2012 Text written by Silvia Brandizzi Translated by Patricia Lauer The former Paper Mill, inactive since 1960, on Via Appia Antica is the headquarters of the large National Park “Ente Parco Appia Antica“. The

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Contextus # 24 Tecnica Mista Su Tela 100x100 2012 © Emanuela Lena - All rights reserved
EventsPARIStexts

Exposition « Contextures blanches » d’Emanuela Lena à la galerie Véra Amsellem du 14 novembre au 10 décembre 2012 Vernissage le 14 novembre à 19h Contextures blanches – Text by Vittoria Biasi Le blanc, rappel inexplicable vers une idée d’origine, conjugue les âmes le long d’un fil unificateur et de respectueuse distance,

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Johannes Vermeer Giovane donna con bicchiere di vino, 1659 – 1660 ca Olio su tela, 78 x 67 cm Herzog Anton Ulrich-Museu, Braunschweig
ROMEtexts

Text by Vittoria Biasi – Copyright 1F mediaproject Vermeer The Golden Age of Dutch Art September 27th, 2012  –  January 20th, 2013 Scuderie del Quirinale (Quirinale’s stables) – Rome www.scuderiequirinale.it – http://english.mondomostre.it/categorie/categoria-181 Curated by Arthur K. Wheelock, Curator of Northern Baroque Paintings National Gallery of Art, Washington; Walter Liedtke, Curator

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Donato Di Zio mentre affumica la lastra di rame dell'acquaforte Pelagocentonovantadue nel laboratorio della Fondazione il Bisonte, Firenze, 2010. Foto Carmeli-Belli
FIRENZEMILANPESCARAtexts

Donato Di Zio inside the “Pool” Text by Gillo Dorfles Who knows if Donato Di Zio, from the “pool” in which for years, he has always been immersed will ever finally reach the shore? Or maybe he already has arrived? At least the “ aesthetic shore “ apparent in his

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Darko Dragičević (artworks) & Broken Dimance Press (books), LGB + BDP = LBGDBP, Installation View at OTTO ZOO Gallery, Milan
BERLINBooksEventsMILANtexts

Empty by Darko Dragičević Every day, at least for a second I step out from the apartment. Sometimes I go to buy the flowers. At first I always pay the attention at the white flowers and if I don’t find them too beautiful, then I decide to get something else,

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DesignFashionMILANtexts

The Cavalier Mario Boselli, president of the National Chamber of Fashion, during a press conference at Palazzo Marino, in the presence Councillor Culture, Fashion and Design Stefano Boeri, today announced the latest edition of White Milan, the exhibition dedicated to the new language of fashion which will take place in

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Circle
MILANtexts

The Scenarios of Post Autonomy – Text by David Goldenberg To put ourselves into an unknown situation or to prepare for a situation we mentally project ourselves into an imaginary character who acts out different scenarios, situations, stories in imaginary spaces, rooms, settings to give us a sense of being

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Ararat ll, 2007 160 x 390 x 130 mm sandcast black glass photo. G. Ortegren courtesy of the artist
ArchitectureBiennale di VeneziatextsVENICE

BERTIL VALLIEN, Nine Rooms Collateral Event of the 13th International Architecture Exhibition in Venice from 28 August to 25 November 2012 at the Institute of Sciences, Letters and Arts – Palazzo Cavalli Franchetti Campo Santo Stefano 2847, 30124 Venice Text by Adriano Berengo A Chance Encounter with the Contemporary Hephaestus

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rifiut-arte II mostra d'arte contemporanea a Posta (RI) particolare installazione di Monica Renzi (croce in legno) e Davide Febbo
RIETItexts

III Mostra d’Arte Contemporanea Inaugurazione: 11 Agosto, ore 17.30 – Chiusura della mostra: 22 Agosto 2012 Convento di San Francesco a Posta – Comune di Posta (Rieti) Artisti: Massimo Arduini,Veronica Cesaretti, Sara Chiaranzelli, Stefano Confalone, Gianluca D’Angeli, Yuri Di Blasio, Enrica Di Marcoberardino, Gianna Ganbucci, Gina Perotti, Tatjana Kojic Cehic,

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BooksFIRENZEROMEtexts

Museo d’Arte Moderna-Contemporanea di Trento e Rovereto Il fascismo e la ‘sua’ arte Dottrina e istituzioni tra futurismo e Novecento di Monica Cioli Mart – Collana «Inediti», volume 2, Leo S. Olschki, Firenze 2011 Testo di Vittoria Biasi Con la foto di Marinetti tra i futuristi, alla Biennale di Venezia

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Pittore di scuola emiliana, Natività di Gesù, olio su tela, Torino 1649
BooksROMEtexts

Il Museo dei Cappuccini Convento dell’Immacola Concezione della Beata Vergine Maria Roma, Via Vittorio Veneto, 27 Gangemi Editore, 2012 Testo di Vittoria Biasi L’inaugurazione del Museo dei Cappuccini all’interno del Convento dei Frati Minori Cappuccini di Via Veneto in Roma è una occasione per riflettere sul ricco patrimonio di opere

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Reynolds, Pax Puki, 31 x 41 cm
London BiennaleROMEStudio.ratextsvideo film & live performances

Text by Vittoria Biasi The symbolism is the idea of the Rainbow Bridge between the opposing elements of excellence: the earth and sky. The distance between the two worlds is filled with exciting images from every religion, revolving around the idea of a bridge, connecting the rainbow is the scale

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© Gerhard Richter, 2012, Reader 1994 © Gerhard Richter Courtesy San Francisco Museum of Modern Art.
PARIStexts

Gerhard Richter – View A retrospective exhibition Centre Pompidou – Paris June 6 – September 24 www.centrepompidou.fr Text by Vittoria Biasi – English by esserre The Centre Pompidou through the exhibition of Gerhard Richter-View, celebrates the 80th anniversary of German artist (1932), as an appreciation for his intellectual and pictorial

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Daniel Buren, Excentrique(s), travail in situ, 2012, Monumenta, Grand Palais, Paris
PARIStexts

Text by Vittoria Biasi – English by esserre EXCENTRIQUE(S) – DANIEL BUREN – GRAND PALAIS – PARIS The architecture of the aisle inside the Grand Palais at Paris inspires the specific site work of Daniel Buren through the project Monumenta, occurrence proposed every year. During 2007 it was Kiefer, during

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STEICHEN, Edward - Gloria Swanson - 1924 © Permission of the Estate of Edward Steichen | Courtesy George Eastman House
BUDAPESTPhotographytexts

THE BIRTH OF ART PHOTOGRAPHY FROM PICTORIALISM TO MODERN PHOTOGRAPHY (1889-1929) 29th March – 1 July, 2012 Curator: Baki Péter Exhibition Manager: Pablényi Agnes Exhibition co-ordination: Schilling Sara Catalogue Editor: Baki Péter – Publisher: dr. Laszlo Baan, Museum of Fine Arts Budapest, 2012 Museum of Fine Arts Budapest (Szépművészeti Múzeum)

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